Showing posts with label monitors. Show all posts
Showing posts with label monitors. Show all posts

5/12/2012

Behringer B2030A Active 2-Way Reference Studio Monitor Review

Behringer  B2030A Active 2-Way Reference Studio Monitor
Average Reviews:

(More customer reviews)
I purchased these with the assumption that I was not going to get the quality sound I wanted as opposed to KRK monitors (WAAAY overpriced) for my small studio. Boy was I wrong! The sound quality is better than expected to say the least. They're HEAVY, thus you won't be too worried about knocking them over (like the smaller KRK's or M-Audio Studiophiles I've seen). Took these over to a friends house for mixdown of video's he's been working on, and adjusted the settings for his video editing hardware and room dynamics. He then changed his mind after about some 5 hours of video editing. Not the best, but I'll be putting my money into what I can use rather than a name (KRK, JBL, Tannoy, Genlec are just TOO much. . .even for just one monitor). And it'se never about what you got, it's what you do with it.
There are going to be reviews bashing them, but when I have audio engineers telling me "good choice, cuz the KRK's are sometimes WAAY too bassy", I feel I've done my job and research into finding what I can afford.
Just a quick note. . .do give these "burn in" time. meaning give them some time to run before going all out on those mixes. Similar to tube preamps for guitar heads/cabs. . .burn em in slowly so you can get the full effect later. I haven't had these long enough, but I can say they are the best part of my studio.

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The TRUTH B2030A has all of the great features of an active TRUTH monitor packed in a compact cabinet.It's a high-resolution, active 2-way reference studio monitor that is perfect for nearfield monitoring applications: from small mixing environments to multi-channel surround setups.

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4/14/2012

Behringer MS16 Powered Studio Desktop Monitors Review

Behringer MS16 Powered Studio Desktop Monitors
Average Reviews:

(More customer reviews)
SUBJECTIVE REVIEW: Behringer MS16 2-Way Active Personal Monitor System
Pros:
- Accuracy, soundstage & imaging!!
- Connectivity & Front Panel Controls (Right CH Speaker):
.... INPUT 1 (1/8" TRS) Connector
.... INPUT 2 (RCA Right & Left) Connectors
.... ADJUSTABLE 1/4" TRS Microphone Input - mixable w/stereo inputs for playback and vocal monitoring applications
.... 1/8" TRS HEADPHONE Connector w/auto-mute loudspeaker function.
.... FRONT PANEL Controls (Bass, Treble & Level)
Cons:
None except deep bass - which can be resolved by adding a powered-sub like I did!!! ;-)
NOTE: All subjective comments based on:
1) SPEAKER LOCATIONS:
.... a) Free-standing near-field monitor location, 4' apart, slightly tilted-in (closes walls 10') - Music by my Polaroid 30 GB MP3 player (NO powered-sub )
.... b) Keyboard: L & R location installation, slightly tilted-in (with & without Altec Lansing FX2021 powered-sub**)
**NOTE: Adding a powered-sub relieves the Behringer MS16 4" woofer speakers of reproducing the lower frequencies thus lowering the possibility of distortion or breakup when played louder, - 85 dBc to 90 dBc Fast SPL Peaks!
2) Critical listening SPL = approx. 85 dBc to 90 dBc Fast SPL Peaks measured @ 8' to 10' away from the speakers.
.... a) Radio Shack SPL Analog Meter: Dial = 80 or 90 / Weight = C / Speed = Fast
ACCURACY:
One of the Behringer MS16 hallmarks is the accuracy in reproducing encoded musical sounds from my MP3s, ... like, a violin sounds like a violin, a trumpet sounds like a trumpet, a tenor sax sounds like a tenor sax, a Grand Piano, like the Grand Piano that Diana Krall uses in her "Live in Paris" CD (I use to own a 6' Yamaha Grand in my HT/family room), etc. What is unusual for this price range, is the MS16 ability to reveal subtleties and the resolution of the high frequency characteristics within the encoded music/instruments, . . . they are just more evident with the Behringer MS16 vs. other speakers in this price and some costing more; i.e. with close mike recording of an acoustic guitar, you can hear the artist fingers (George Benson; Earl Klugh; Russ Freeman) sliding up and down the frets; you can tell that that two violins are playing a melodic line, rather than just one violin; the air harmonics off the crash or ride cymbal sounds, just like our Tama Rock Set w/Zildjian cymbals; Diana Krall breathing during some of her songs Intro ("Live in Paris" Music CD). Here - I do chalk up the sound quality to Behringer MS16 1.5" (38mm) Diameter High-Resolution Tweeter., which is a nice size for a small personal Studio near-field Monitors.
SOUNDSTAGE:
The left to right placements of instruments & voices are excellent, providing a precise, very wide, beyond the speakers soundstage. The Behringer MS16 front to back (depth) soundstage is also excellent, as well as the dynamic's resolution (soft vs. loud) in playing back the encoded instrument sounds which helps provide excellent location placement of the instruments. Though the front to back soundstage can be a result of how close the microphones were to the instruments, no doubt, the quality of the best recordings, will be revealed by this speaker and the opposite is also true, poor recordings will be revealed as poor. The Behringer MS16 plays back all my Jazz CD Music with relative smoothness, with no surprising in-between the eyes, unnatural frequency peaks because of it's super flat & wide Pro Monitor like frequency characteristics. I also own the JBL N24 w/4" woofers (JBL NSP1 PKG) which was raved by Brent Butterworth for its super midrange playback (voices) and in direct comparison, the Behringer MS16 is equal to task providing the same balanced, natural, clear unstrained playback! (Samples: "Francis Albert Sinatra & Antonio Carlos Jobim" 1967 Digital remastered DDD Music CD; Diana Krall "Love Scenes" & "The Look of Love" Music CD; Bob James "Fourplay" Music CD; David Benoit "Fuzzy Logic" Music CD [Album Of The Year - 2003 National Smooth Jazz Awards], etc.).
IMAGING:
Another characteristic that the Behringer MS16 displays is its ability to image the specific instruments across the soundstage, with a floating in front, side, quality sound presence comparable to some JBL PRO Studio Monitors, though its point source is more precise due to the smaller cabinet side. The Behringer MS16 low-diffraction front cabinet geometry feature curved cabinet edges to eliminate diffraction, which ensures precise imaging and localization. I love the Behringer MS16 ambience reproduction in my room, because it gave me the feeling that "you are there" and if the recording is from a live concert, the ambience provided the right amount of reflections to make you think your listening to the performance outdoors, or in the symphony hall. ("The Corrs - Live at the Royal Albert Hall" Music CD; Diana Krall "Live in Paris" Music CD).
BASS FREQUECY:
WITHOUT POWERED-SUB: (Bass adjusted slightly less than MAX @ the 5 o'clock position / Treble left flat)
The Behringer MS16 bass is rated down to 80 Hz, and after adjusting the Bass Control to near MAX (5 o'clock position), ... it easily matches my JBL 24s (Benchmarked down to 89 Hz -2.7 dB - Fronts location by Tom Nousaine for Sound & Vision Magazine) lowest rated frequency reproduction in my familiar jazz music (David Benoit, Bob James, Joe Sample, Diana Krall, etc.) MP3 encoded music is not as demanding as a keyboard or CD (pure digital recordings), so what I hear was more than acceptable @ 85 dBc Fast SPL Peaks! (louder than normal listening). The deep bass is lacking of course, which is expected for a 4" DIA woofer, but it wasn't MIA and actually sounded better than most free-standing speakers w/4" or 5" woofers. The upright bass (Diana Krall) and electric bass lines (Bob James "Fourplay" w/Nathan East on bass) reproduction was way above average and overall, ... it nicely filled my 20 x 30' room with well balanced, clean & smooth frequency jazz music.
WITH POWERED-SUB - YAMAHA PORTABLE GRAND KEYBOARD:
Reproducing a digital keyboard is demanding so to get that floor & air feeling bass SPL without distortion or breakup, I coupled the Behringer MS16 Speakers w/the Altec Lansing FX1021 2.1 Speaker System, or more specifically, Altec Lansing FX4021 Powered Subwoofer (w/Two 5.25" long-throw woofers in isobaric configuration). This unit is rated down to 32 Hz and takes care of the lower frequency duties. Matching the Altec Powered-sub to the MS16s took about 20 mins. using the Keyboard built-in MIDI DEMO files and by playing it personally! I'm finally happy with what I hear from my Yamaha DGX-505 88-key Portable Grand.
THE BOTTOM LINE:
If you want "budget" monitors that provides excellent imaging, revealing resolution, super flat & wide Pro Monitor like frequency characteristics, the Behringer MS16 is for you! At no time during my critical listening phase (w/85 dBc - 90 dBc Fast SPL Peaks) did I hear any distortion or breakup (with or without powered-sub) from my Behringer MS16 speakers!!!
- Although the following is an OPTION & NOT REQUIRED to ENJOY these powered speakers, you can add a powered-sub to round out the lower frequency foundation and once you balance the SPL between the powered-sub & MS16s, ... you've got a very nice killer setup for MP3, PC, Laptop, Keyboard & near-field Home Studio application @ a very reasonable price!
In my case, I'm guessing, that the Behringer & Altec powered-sub combination for my Yamaha Portable Grand Keyboard frequency response is approx. 40Hz - 18kHz ±5 dB in my 17' x 13' living room (see my attached Amazon photo's) and for the price, ... it just sounds GLORIOUS @ 85 dBc - 90 dBc Fast SPL Peaks!!!
Highly Recommended!!! (Another way to think about it is, ... you can't build a 16 Watt [2x 8 Watts] self-powered speakers like this for under $60 a pair!!!)
Background: Audiophile since 1980; retired Audio/Video dealer; retired semi-pro musician (piano, keyboard, acoustic / electric guitar, bass guitar & drums).

Click Here to see more reviews about: Behringer MS16 Powered Studio Desktop Monitors

The Behringer MS16 Speakers are a compact 2-way stereo speaker setup for home studio or multimedia applications! Two high-power amplifiers drive the 4-inch woofers and the high-resolution tweeters. The front-mounted volume control and individual bass and treble controls make accurate sound adjustments a breeze. Two stereo line inputs (RCA and eighth-inch TRS) allow simultaneous use of two stereo sources, so you can play back CDs, MDs or MP3s and use an electric guitar/keyboard at the same time. In addition, the quarter-inch TRS microphone input lets you mix vocals with a stereo track. Behringer MS16 Features Compact stereo speaker system for home studios or multimedia applications 4 inch woofer and high-resolution tweeter powered by two 8-watt amplifiers Dedicated volume, bass and treble controls for more flexibility Stereo RCA inputs for sound cards, keyboards... etc Connect a CD or MP3 player through 1/8 inch TRS stereo input Separately adjustable 1/4 inch TRS mic input for vocal monitoring 1/8 inch TRS headphone connector with auto-mute loudspeaker function Magnetically shielded for placement near computer monitors Magnetic shielding and compact size make these speakers perfect for placement near video monitors or computer displays. AmericanMusical.com is an authorized dealer of Behringer products.

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6/15/2011

Casio PX-330 88 Key Digital Stage Piano with Tri-Sensor Scaled Hammer Action Review

Casio PX-330 88 Key Digital Stage Piano with Tri-Sensor Scaled Hammer Action
Average Reviews:

(More customer reviews)
I am a professional jazz pianist of some 30+ years. I recently bought this keyboard as a much needed gigging and practicing piano that was light weight, had built in speakers, 88 note key weighted action and a good piano sound. You will find all of this and more in the PX-330. I don't think there is any other keyboard currently being manufactured that provides all these features at this low a price point.
Pros:
- great weighted action... a bit mushy but one can certainly adapt to it easily.
- good piano sound, but not without its faults (see below) It reminds me of the sound of the Kurzweil pianos.
- auto arranger with tons of grooves for practicing and jamming.
- good selection of song style presets... it even has "Giant Steps" for all you jazz pianists to practice on. Any tempo, Any key.
- some interesting world beat grooves are included along with standard pop, rock, latin, etc. grooves
- weighs only 25 lbs... this is one of the best features of all!
- skinny... easy to carry
- built in speakers lead to instant gratification when turning on the keyboard and playing. You just sit down and play. No muss, no fuss.
- good contruction. Uses alot of plastic. Not as good as Roland or Yamaha but good enough
- pitch bend wheel is a surprise bonus
- nice LCD display is a big improvement over previous models
- line inputs let you bring in a submix from an mp3 player, iPod, or mixer
- two separate 1/8" mini stereo headphone outs
- good for education and dual playing... the keyboard can be split into duet mode each playing the same sound
- the auto harmony feature is very good and alot of fun to play around with. (dual voice, three voice, etc.)
- memory card slot for saving your patches and performances
- excellent price and value for the money
Cons:
- piano sound is good but suffers from too fast a decay in the middle register. It's difficult to make a melody "sing" or play in a smooth legato style. This decay problem would be fine in pop or rock music, but for solo jazz and classical it is a definite flaw. It is not so noticeable when playing with a rhythm section.
- there is no way to adjust the volume of the primary piano sound when using splits or accompaniments. You can decrease/increase the accompaniment, but cannot increase the main voice independently.
- there is no way to adjust the reverb wet/dry depth. I find this particularly irritating, since certain styles of music require more reverb. Access to a heavier reverb would also help cover over some of the flaws in the piano sound. However, you can adjust the reverb wet/dry depth on the individual accompaniment parts. Why they didn't include this feature on the main sound is a mystery to me.
- labeling of buttons is too dark and hard to see, especially in dim lighting
- buttons lack tactile "feel", are shallow, and can easily be missed in the heat of a performance. Combine this with hard to see labels and you have a recipe for disaster. However, most of the buttons do have LED lights which helps in seeing what is engaged.
- unit comes with a cheap sustain pad/switch which easily flips over when playing. For serious playing you will need to buy a separate sustain pedal. Or use gaffe tape.
- the polarity of the pedal is reversed and cannot be changed internally like many other keyboards. This forces you to buy Casio's pedal unit. A work around is to buy a sustain pedal with a polarity switch, or a regular sustain pedal which you can adapt reversing the polarity of the wires.
- the unit supports half-pedaling which is great, but only if you buy the Casio pedal board.
- the much ballyhooed "acoustic resonance" feature is barely discernible and for all intents and purposes contributes nothing to the piano sound.
- multiple button and combination button pushes can easily make for confusion. You will need to sit down and really learn this keyboard to effectively use its features esp. during performance.
- some of the auto accompaniment parts are pretty cheesy, and with a few exceptions the non-piano sounds are just so-so.
- at maximum volume there is some distortion in the piano sound coming out of the built in speakers.
- when using split keyboard mode, the sustain pedal sustains both zones... If you are playing bass with your left hand, it will sustain when you pedal for the piano sound. Not good.
- Flimsy 1/4" jacks will not last in the long run.
I do not mean do denigrate this product by listing all the cons... overall, it's an excellent low priced piano packed with features not found in other brands that cost more. I just wish I could get comfortable with the fast decay in the middle register, and have more control over the effects. The sustain on the lower split is an oversight that should be corrected.
I have Synthogy Ivory on my laptop, and on more important gigs I use the PX-330 as a controller for the Ivory piano. I bring the output of the Ivory back into the line inputs. Now that's a righteous piano sound! Nevertheless, I am happy I bought this keyboard and am sure it will serve me well as I continue to make music.

Click Here to see more reviews about: Casio PX-330 88 Key Digital Stage Piano with Tri-Sensor Scaled Hammer Action

The new Casio Privia PX-330 redefines the digital piano category with unprecedented sound quality and performance in a sleek package that is supremely portable. Featuring all new grand piano samples and a new Tri-Sensor 88-note scaled hammer action keyboard and weighing only 26 lbs., the Casio Privia PX-330 is versatile enough for any home, studio or stage.

Realism, Expression and Dynamics The grand piano sounds in the PX-330 delivers an unprecedented level of realism and expression. Four dynamic layers of stereo piano samples are integrated with Casio's proprietary Linear Morphing System, for a grand piano sound with seamless transitions and a superior dynamic range. For added realism, the PX-330 simulates the sound of the open strings when the dampers are raised by the pedal using Acoustic Resonance DSP. The PX-330 also has 128-note polyphony, enough horsepower for the most demanding musical passages and the ability to layer sounds and use the damper pedal without worry of dropped notes. The result is a grand piano experience that is unsurpassed at any price.
Truly Expressive Touch The Privia PX-330 features a new Tri-Sensor 88-note scaled hammer action keyboard. Casio's superior engineering has resulted in an authentic piano touch that captures every detail and nuance of your performance. This scaled hammer action provides the weight, feel and resistance of a piano without sacrificing the portability of the instrument.
Performance, Studio or Stage The superior keyboard action, piano sound and built-in USB MIDI interface make the PX-330 the perfect instrument to integrate into your studio. When you're ready to take the PX-330 to a gig, the built-in registration memory allows you to instantly recall splits, layers and combinations of sounds. The PX-330 also has 1/4-inch outputs for great live sound from your amp or the house's PA system.
16-Track Recorder, Pitchbend Wheel and Much More While it's easy to connect the PX-330 to your computer, you can easily create and compose music using internal 16 track recorder. Utilizing the PX-330's 250 on-board sounds and 180 rhythms you can record up to 16 tracks. Accepting SD memory, you can save your songs and take them with you or load standard MIDI files that you've downloaded from the web. With these flexible tools you can capture moments of creativity and remember song ideas. It also works great as a practice tool. A built-in metronome and optional accompaniment mean you can practice in-time and later listen back to what you just played. A pitchbend wheel gives you full expression for 250 tones. You can even plug in other instruments or an MP3 player into the keyboard and hear it through the internal speakers and headphones.
Professional, Versatile and Portable Design Whether you're at home, working on a studio or out on stage, the PX-330 was created to tackle it all, making it a valuable investment. With its light weight, you can easily take the PX-330 from home, to rehearsals, to the gig and back with no worries. It connects effortlessly to your computer via USB and connects just as easily to a live mixer for use on stage. The Casio PX-330 is now the indisputable leader in the digital piano arena.
8 Digital Effects Add a little more depth and variation to the built-in tones with 4 reverb and 4 chorus effects, along with brilliance and acoustic resonance settings.
Duet Function The new duet functions allows teachers and pupils to play parallel to each other. The PX-120 can be divided into two keyboard areas, which can be transposed individually.
Two Headphone Connections The PX-330 features two headphone connections, ideal for the duet function.
Stereo Line In/Out Connect to a PA system or studio equipment, or connect other sound sources with the line inputs.
Powerful Speaker System The PX-330 features built-in speakers, with 2 x 8 Watts of output power, to fill a room with sound.
3-Pedal Unit Support With the optional SP-30, the PX-320 has up to three pedals with half-damper effect. This "half-damper" effect simulates a "half-pedaled" damper pedal.
What's in the Box Privia PX-330 Keyboard, AC Adapter, Music Stand, User's Manual

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