Average Reviews:
(More customer reviews)You may look at the picture of this microphone and wonder just how big it really is. Well, it's quite small, actually. The plate is made of metal and it seems quite sturdy. Performance is great for those who understand how to use this type of microphone. This type of microphone works best when placed on a rigid, flat surface. The pickup pattern seems to be 360 degrees so if you are hoping to buy a microphone that picks up "everything" then this would be a good choice. If you want a microphone that focuses on a specific subject while ignoring sound coming from other directions, then you might want to consider a shotgun-style microphone instead. This particular microphone takes an XLR cable and operates on phantom power from your mixer. I use it in a distance-learning classroom. This microphone is almost as good as the $1,500 "AudioScience" microphones.
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The PZM ® -30D is a Pressure Zone Microphone ® designed for professional recording, sound reinforcement and broadcasting. It has many applications, from miking full orchestras or individual musical instruments to security or teleconferencing. The PZM-30D has a switchable dual frequency response: rising (R) or flat (F). The "rising" position adds brilliance. This makes it useful wherever a crisp attack is desired, such as on percussion, drums, or piano. The user can get a bright sound without boosting high frequencies on the recording console; the result is lower noise. The "flat" position provides a smooth, flat, high-frequency response for natural sound reproduction. These sturdy microphones are especially reliable because they can be used with a rugged detachable cable. The output is a male 3-pin XLR-type, balanced and low impedance, which permits long cable runs without hum pickup or high-frequency loss. Like other Pressure Zone Microphones, the PZM-30D TM utilizes the Pressure Recording Process in which a miniature condenser microphone capsule is positioned very close to a sound-reflecting plate or boundary. The capsule is mounted in the "Pressure Zone" just above the boundary, a region where sound coming directly from the sound source combines in phase with sound reflected off the boundary. The benefits are a wide, smooth frequency response free of phase interference, excellent clarity and "reach," a hemispherical polar pattern, and uncolored off-axis response.
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