4/30/2012

Apple Logic Studio Review

Apple Logic Studio
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So you want a whole music studio for under $500? What are you, some kind of crazy Mac user?
Apple's generous price drop for this version of what many consider to be the ultimate music tool (and I'm one of those) has removed any excuse one may have for putting off this purchase any longer. Meaning they cut the price in half and added twice the features of the original: Not only do you get a leaner, meaner and much easier to use version of Logic Pro, but they've thrown in updated versions of Soundtrack Pro and Compressor (previously only available with Final Cut), a live performance module called MainStage, all five Garageband Jam Pack titles, WaveBurner 1.5 for CD mastering, new effects such as Delay Designer .... all you need supply is lots of time and about 45 gigs of hard drive space.
As a happy user of Logic since version 6, I found the upgrade (available for just under $200) easy to grow into, especially being used to Apple's other pro apps, and really appreciated the addition of Soundtrack Pro 2, whose predecessor I'd used more for track mastering. The newer interface for Logic is more self contained now, with sliding panels replacing all those open windows you used to have to deal with ... although that is still an option if you're a person who thrives on complexity. Now you can look at both the Arrange Window and Matrix Edit (now called "Piano Roll", how quaint) in the same window, just roll it in and out as needed. Same with Audio Mixer, Score View, Hyper Edit, etc. In keeping with this more streamlined method, some of the tools are more hidden away which, along with other changes, I'm quickly getting used to. Another rollaway panel gives you access to instrument settings (and other audio resources) by way of a Soundtrack-like browser -- don't like that piano sound and don't feel like scrolling through all of them? Just pick one off the list, and it's there!
Another nice feature you'll see right away is some handy standard templates: Now, instead of trying to figure out how many blank tracks, and what kind, you may need for a certain project, just click one of the template buttons and you're on your way. You can easily customize them if you're a seasoned user. The one that has this user the most excited is the orchestral template ..... a whole symphony orchestra, ordered the same as it would be in a classical score, with instruments already loaded and regions just waiting for note entry. Now that's power. You can transcribe classical works using Logic's score editor, which by the way will also print out scores should you ever hire live musicians for your compositions.
One thing that will make Logic veterans happy is, now you don't need the USB XS-Key to be plugged in to run the software. Upgraders only need it to install, then just unplug it and drop it in the box. New users won't even have to deal with it. They don't know what they've missed, and they're better off.
In summary, Logic is the solution for the Mac-based musician, as far as composing, arranging, recording, looping, producing, scoring, sound designing, whatever-ing in an audio capacity. No messy cables and reels of tape all over the place like in the old days, just launch and bring musical dreams to life. I can't emphasize enough what a good deal this is (without sounding like a salesman), and once you get over a slight learning curve you realize the possibilities are virtually boundless for what you'll come up with. Just be aware: this ain't no Garageband. Logic is for the serious musician or music producer for whom music matters above most other things. This is what obsessed people do with their time. If this sounds like you, well, you owe it to yourself to make the most logical investment.

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Logic Studio, Apple's comprehensive suite of professional music and audio tools, provides musicians with everything they need to create in the studio, on the stage, and for the screen. Logic Studio includes Logic Pro 8, Apple's legendary professional music production application featuring a new, intuitive interface; MainStage, an innovative new application for music performance; and Soundtrack Pro 2 for audio post-production and sound design. It also includes Studio Instruments and Studio Effects, with 40 acclaimed instruments and 80 professional effect plug-ins; an expanded Studio Sound Library; and new production utilities--all in a single box at an incredible price.

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JBL LSR2328P Bi-Amplified Studio Monitor Review

JBL LSR2328P Bi-Amplified Studio Monitor
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If you hate the name JBL... then you need read no further... if on the other hand you are after a pair of studio monitors that are reasonably priced, consider these as an affordable solution.
I have used various brands of studio monitors over the past two decades in recording and small studio set-ups. That is not to say that I consider myself an expert, rather on the contrary, I offer this information as an evaluation from my experience.
First Impressions:
These JBL LSR 2328P monitors have a reasonable weight to them, generally indicates quality construction. Externally I could see that they are well made and very clean looking - utilitarian in fact. Perfect for studios. The controls are all located on the rear (as for most powered/active monitors) containing all the standard features you would expect, XLR, TRS, RCA connectors, LF/HF trim and power. If access to the rear is limited, this may be of concern if you have to make numerous set up changes, but it certainly is not a problem. The base has a dense foam/rubber material which absorbs some vibration when mounted on a console or desktop. Also present are M6 mounting points conforming to industry standard mounting brackets if you want to use speaker stands. Once plugged in, before set-up was conducted, I turned the monitors on and played various program material through them. Very smooth and natural sounding speakers with a generally acceptable sonic palette. After some measurements and some LF trim (my speakers are closer to the rear wall than I would normally like, thus setting the LF trim at -3db on the woofer tightened the bass response. Not as much wall reinforcement) I then began using them for their intended purpose for monitoring and mixing tracks, mainly rock and blues, with a little jazz fusion.
After nearly a month of use:
I have been pleasantly surprised by these speakers, the are very neutral and natural, and offer very little colouration to the source material. This can be harsh, as you realise that either your recording is off, or the mix is to bright/flat. A quick listen on the main monitors reveal that also to be the fact. Back to the console, tweak the sound, and presto... smooth... on the JBL LSR 2328P. Thus it was easy to make sure that your music would translate to other devices/equipment.
High frequencies were smooth, with mids very natural sounding. Easily able to locate instruments within the sound stage and location. One thing I did notice was that on vocals, it was difficult to eliminate the breath inhales, either they were a little exaggerated on these monitors or my mixing technique is off. But at least these JBL monitors resolved this and allowed me the opportunity to pick them up early in my mix.
The bass was tight and full, sometimes had a tendency to overhang on complex bass pieces and get a little bit "muddy", but not unacceptably so. Also the rear port does not have a bung to reduce unwanted rear wall reinforcement of bass signals (the port also serves as a cooling port for the electronics and woofer, so not recommended to bung it up).
As for the controls, they are a standard feature set, common on all brands. Nothing special here. I found that once I got used to the power switch location on the rear, I could easily find it, but still, the power button on these JBL's could have been better placed, like on the front panel, the Logo could serve a dual purpose! (take note JBL)
After A/B testing these speakers with other brands of monitors of similar specifications, not price, I can unequivocally state that they are just about the same as other brands that cost twice (or more) than the JBL's. (I have on purpose not mentioned the other brands as this review is on the JBL's) This is not to say that other monitors were poor/better, rather they had a slightly different set of strengths and weaknesses in comparison. Where say brand A had smoother top end clarity, they lacked bass definition and or punch of the JBL's. If the JBL's were smoother overall than brand B, the other brand may have exhibited better definition or "breath" in the music. Therefore, I would like to point out that at similar price points, all these speakers had similar attributes. If you like bass slam, the JBL's will give it to you. If you require sonic clarity in the upper register, the JBL's will give it to you. If you want clear neutral representation (within reason) from these monitors at this price point, these JBL's will give it to you.Closing Thoughts:
When I am not mixing or recording, (like now whilst I am writing this review) I generally have these monitors playing music at a low level, Wow... they sure put the feeling and weight into the music at low level. I find that I do not get fatigued from listening to these speakers for hours on end (also a function of volume). After all, I am more interested in listening to music, rather than the equipment, so comparisons between brands becomes mute points of intellectual musings.
From a price point of view, I think it is hard to beat these particular JBL's compared to speakers that may offer only about say less than 5% (subjectively) better performance overall. Thus if you are after that 5%, and that is paramount in your application, you will need to spend considerable more on studio monitors than these JBL's or other monitors at this price point.
Thoroughly recommend these JBL LSR 2328P's for anyone with a tight budget (or otherwise), or a need for monitors that you will have to save for months on end to acquire, before you get to listen/mix/enjoy...
Great Work JBL...

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The LSR2328P Bi-Amplified Studio Monitor is equipped for a wide range of applications. The LSR2328P includes a long-excursion 8" woofer and 1" silk substrate dome tweeter and 165 watts of amplification. Balanced XLR, balanced 1/4" TRS, and RCA unbalanced input connectors allow connection of mixing consoles, computer audio interfaces, audio visual equipment, and home audio systems. A detented level control allows fine adjustment of speaker volume. Low and high frequency trim controls let you tailor the speaker's response to preference or room acoustics. A neoprene rubber pad on the bottom of the speaker provides acoustic isolation and increases stability when the speaker is placed on a speaker stand or a console top. Mounting points are included and the enclosure has been reinforced for safe mounting using industry-standard mounting hardware. Rather than using a single on-axis measurement of the speaker's performance, JBL's LSR design criteria requires seventy measurements yielding more than 1,200 times the data, enabling JBL to engineer a speaker that sounds right and is accurate in any room. A trademark of LSR Design is the custom tweeter waveguide that delivers superior imaging and smoother frequency response to your listening position. Today's production styles require a monitor system capable of extended low frequency performance. To address this, the LSR2328P uses a new long-excursion 8" woofer with a high-flux motor. A custom-tuned port works in concert with the woofer to produce deep and accurate low frequency response to 37Hz. The LSR2328P produces exceptional sound pressure level (SPL) through JBL-engineered high-sensitivity transducers, high-output amplifiers and careful attention paid to the thermal properties of the system. To ensure years of reliable performance, before becoming a production-ready design, the LSR2328P survives the JBL Power Test in which the speaker must play continuously at full output for 100 hours without failure.

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4/29/2012

Yamaha FC9 Dual Volume Foot Controller Review

Yamaha FC9 Dual Volume Foot Controller
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Returning this, disappointed to find that it needs a 9v battery or an AC adapter, not included. The battery is drained as long as there is a plug in one of the two input jacks. Silly rabbit, why couldn't it cycle off when no signal flowing for 5-10 minutes (or some similar solution)? I'd be replacing the battery constantly or having to unplug it all the time. (Rest of my setup is all on a single power strip that I can switch on/off easily.) The old Boss FV-200 on loan to me from a friend doesn't require any power source.


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While the FC9 can be used to control the volume of two separate instruments, it also features an electronic volume control circuit which makes CV control possible. Output 2 can be switched to function as a CV controller instead of an audio volume controller, and can be plugged into the volume or modulation jack of most synthesizers. For your convenience, the FC-9 also includes a MIN VOL control knob, increasing the minimum volume as you turn the knob, allowing you to narrow the volume range.

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Casio LK-55 61 Key Lighted Keyboard Review

Casio LK-55 61 Key Lighted Keyboard
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I don't give out five stars lightly, but the LK-55 is simply outstanding! I've owned an older casio for years but never really learned to play. I asked for a lighted-key keyboard for Xmas because I thought it would help me learn, and it already has!
I admit I am musically challenged, I can't really read music, and the correct fingering gets me confused. This keyboard transcends all that. The next note is lighted (as in all lighted-key keyboards), but it also has right AND left hand icons indicating the fingering. And if you can't look at all that at once, just push a button and a voice indicates the correct finger ("one", "two", "three", ...). It has 3 different learn-to-play modes. You can read the play mode descriptions in the docs, but suffice it to say that this tough critic really likes casio's implementation.
I had previously, with much discipline, over a long period of time, learned a few bars of Bach's "Jesus Bleibet Meine Freude" (Jesu, Joy of Man's Desiring). It is a beautiful song, and I was thrilled to learn a little of it. This keyboard made it easy. I didn't need to find the score, pick out the keys, put A-B-C stickers on the keys, memorize bars, find a recording to compare against, or determine the correct fingering (which I never got right before).
Oh, I almost forgot, it has a microphone and it is great for sing alongs (even if you only use the built in songs like a juke box). It has my wife's favorite song (over the rainbow), popular kid songs, holiday songs, and all the folk & classical songs I currently wish to learn.

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This portable keyboard was designed for both the beginner and the advanced user.Lights beneath the keys can be turned on or off to help guide the user through any of the built-in songs.The beginner will appreciate the large LCD instructional display that can teach anyone how to play one of over 100 pre-programmed songs in the instrument.There is a built-in scoring system that users can use to track and measure their progress.There is the built-in recording capability for the more advanced user who wants to save their work and then download their composition to their computer using the MIDI interface.

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4/28/2012

3 Sustain Pedals for PX130 & PX330 - Requires CS67 Review

3 Sustain Pedals for PX130 and PX330 - Requires CS67
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Pedal board is a necessary feature for the Casio PX330. It has simple installation and actually adds stability to the piano stand. The piano and stand are black, however, the pedal board is gray. It still looks nice, but perhaps would have looked better in black. But aside from appearance, the whole Casio design is excellent. It's a fine piano to have fun with, and has all the features you could want. The Pedal board works fine. I'm very pleased with the purchase, the price, and the quality. The Casio PX330 with the Pedal Board is a great piano for any home, very sleek in design, doesn't take up much room, and sounds great!

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Yamaha PSRE213 Portable Keyboard Review

Yamaha PSRE213 Portable Keyboard
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It really does not look like a professional keyboard but it could be a beautiful present for a beginner. Got it for [...] so its well worth the money. I would recommend the starter kit that comes separate for [...] more. It includes a headphone,footswitch,an adapter and a DVD.

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The perfect beginner keyboard, the Yamaha PSR-E213 with Portable Grand stereo piano and the Yamaha Education Suite also features 'Listen and Learn' function for learning songs, and is General MIDI (GM), and XGlite compatible. In addition, the PSR-E213 is an unbelievable bargain as a full-size MIDI controller.

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4/27/2012

Yamaha YPT400MS Portable Electronic Keyboard with 61 Full Size Touch Sensitive Keys and Keyboard Stand Review

Yamaha YPT400MS Portable Electronic Keyboard with  61 Full Size Touch Sensitive Keys and Keyboard Stand
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I did a lot of research before ordering this piano. Even so, I was very surprised at how much was included for this price. A WONDERFUL Yamaha digital piano with many fantastic features. The stand. The AC adapter. Even free lessons on music theory on a CD to get you started. Throw in all of the voices, sounds, songs, and ability to interface with a computer, and you have an unbelievable deal.
The only down side is that the software it comes with doesn't load on my Mac :-(, but since most things don't, I wouldn't downgrade it just for that. It interfaces with Garageband, which is the software I already use, so that's enough for me.
Oh, and talk about fun. I'm got this to practice my piano lessons at home, and the first day it came I had so much fun I went to bed with sore wrists. I kept trying out practicing my scales with different voices. I guess I'll have to "space out" my fun a little bit better in the future.

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Ketron SD2 Orchestral Wizard Sound Module Review

Ketron SD2 Orchestral Wizard Sound Module
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Like the prior reviewer says the acoustic instrument sounds in the SD2 are far better than similar Roland synth modules. I've been searching for the best acoustic musical instruments for many years and not other module even at 2 or 3 times the price has as many excellent sounds.
The Tenor Sax, in fact, is a wonderful breathy Tenor reminiscent of Stand Getz not only in the low register but also in the upper one, whereas I find the baritone sax to be too harsh, I prefer a more mellow Gerry Mulligan quality.
The clarinet is also excellent, especially in the upper register where it has a rich, brilliant voice -perfect for jazz.
The violin and viola recorded w natural vibrato are also top notch -with wonderful dynamics.
The Golden Trumpet is one of the smoothest trumpets you can find and the various muted Trumpets are also pretty good.
The flute is quite good, but I've got better trombone sounds elsewhere.
This synthesizer works fantastically well with a wind controller such as the EWI-4000s, the newer EWI-USB, or Yamaha models.
For the maximum fun, be sure to use it with Band-in-a-Box and you will have a wonderful combo going in no time at all. You will notice that when you enable an entire family of an instrument, you will get some instruments that obviously are outside the family. This is because the SD2 has a modified General Midi implementation, done, I'm told by the manufacturer, in order to remain compatible with some older Ketron synth modules/instruments which were designed prior to the popularity of General Midi. If you want to hear some samples of what this synth sounds like, go to the manufacturers site, or go to[...] music site and look for my Jazz2010 page.

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The Ketron Orchestral Wizard (SD2) is a pocket size sound module designed for all PC and Midi applications. Equipped with the same sound engine found in the new Ketron SD5 keyboard, the SD2 has all the latest features for recording, programming and live performances, featuring a New Stereo Grand Piano and huge Orchestral voices such as Saxophones, Brass, Woodwinds, authentic Guitars, Accordions and many others. The quality of these instrumental voices (following the traditional Ketron Best Natural sound heritage) is a remarkable advantage on the SD2, especially when stacked against other competitors. In addition, the SD2 includes very distinctive Audio Drum and Percussion Loops selected from Slow, Jazz, Latin, Acoustic, Traditional, and Dance styles.

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4/26/2012

Blue Man Group Keyboard Review

Blue Man Group Keyboard
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I own 3 of these keyboards and they are the greatest electronic musical instruments I have ever come across. There are preprogrammed tunes to play with. You just wave your hands over the tubes and different instruments chime in. You can also control the tempo and volume by waving your hands over the tubes...almost like an orchestra conductor. There's a hookup for your ipod or mp3 player that you can play the music through this instrument and the speakers are great. You can use the keyboard to play tunes that you know and change the instruments from piano to trumpet,drum, organ, guitar, tuba,etc. WooHoo! I love them and so do my grandkids.

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Inspired by the ever-popular Blue Man group, this tabletop electronic keyboard provides the perfect introduction to music making. New technology interfaces give it an edge on other keyboards of its kind, and keeps beginners excited about music.
The Blue Man keyboard features savvy styling, unique play patterns and engaging musical interactions. Furthermore, it's MP3-compatible, meaning you can play music on top of your favorite MP3 tracks. Keyboard plays pre-recorded songs, and lets you record and play back your own musical masterpieces. Requires 4 "AA" batteries (included). Measures 11.5"L x 25.75"W x 7.75"H.


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Yamaha UX16 Midi to USB Computer Adapter Keyboard Review

Yamaha UX16 Midi to USB Computer Adapter Keyboard
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This adapter worked as expected. It additionally came with a CD of software which speed up the installation, eliminating the the time to traverse Yamaha's difficult to navigate website. Following the instructions the keyboard and the computer were working together within a few minutes. I had tried buying generic cables for the hookup from a local store, they didn't work.

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The Yamaha UX16 USB MIDI Interface supports up to 16 MIDI channels with one MIDI in and one MIDI out port. The integrated 24" USB cable and 50" MIDI cables make it easy to reach your gear. Built-in LED indicators show power and MIDI I/O activity for easy operation. The Yamaha UX16 operates on USB power and does not need an external power adapter.Features:
Supports 16 MIDI channels on one I/O port
24" USB cable plus 50" MIDI cables will reach your gear
Power and activity LEDs
Operates on USB power

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4/25/2012

Casio AD-1 Power Supply for SA75 Review

Casio AD-1 Power Supply for SA75
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Amazon's advertising for the Casio AD-1 Power Supply is a little confusing because the transformer appears with its correct model number AD-1 along with text that indicates it's for the Casio SA-75 keyboard. However, above that line of text it also appears as image next to a picture of the Casio SA-76, with a plus sign between them suggesting that they go together. Unfortunately, the jack end of the Casio AD-1 power supply doesn't fit into the DC 9.5 volt port on the back of the SA-76 keyboard, so I couldn't use it.
I contacted the seller and they told me the correct transformer for the Casio SA-76 electronic keyboard won't be available from Casio until December.

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Extend your battery life by using this optional AC adapter. Plug in while you're at home or near an electrical outlet rather than wasting batteries.

Designed for use exclusively with Casio's SA-39, SA-6, SA-65, and SA-67 musical keyboards.
What's in the Box Casio AD-1 Power Supply

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Interactive Keyboard Review

Interactive Keyboard
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After searching for some time for a good piano tutorial software I ended up at Best Buy and, almost by accident, came across Interactive Keyboard written by Laurie Arthur. As a disclaimer, I am in no way tied to the promoter or the promotion of this product. My previous exposure to piano was limited to a group piano course at a junior college and some self-training, specifically with the old Miracle Piano Teaching System which is now obsolete.
I have been working with the program for a few days now and I believe I am developing solid technique beyond my prior education. The initial setup was tricky (program loaded fine on Windows '98SE but I needed a MIDI in/out cable-to-USB to hook up my antiquated Kawai KC10 Spectra synthesizer in addition to having to download a driver for the cable hookup, although any modern keyboard should adapt just fine) but once I got rolling I found the program both intuitive and fun.
The software package comes with a 222 page manual that is simply loaded with valuable information on technique, music theory, improvisational methods, proper form and exercises, and a host of other information, as well as "Fifty Famous Feels"; a variety of samples of music in different styles one can playback and with which one can play along.
The program seems geared toward the adult learner who is intent on getting a grasp of the piano in an accelerated fashion, though a bright child with some keyboard skills could benefit as well.
From the beginning, the program sets out what is required of the student and provides ample exercises at increasingly difficult levels, along with a "Comp-u-Pare" facility that enables one to record the recital of exercises (with or without the accompanying backtrack/rhythm) and test her/his skills and abilities. In addition, the software features musical notation of the exercises, a visual/virtual "keyboard" that plays the exercise, text explanations of the lessons (mirrored in the manual), and videos that show how to play the exercises.
There is more (including MIDI interface tools which I have yet to explore) but I can safely say this is one of the best programs available if one wishes to apply the learning methods to gain a solid understanding of the keyboard at a self-paced level. The writer(s) of this program have clearly done their homework in presenting the student with a valuable tool for grasping musical knowledge best presented on the piano keyboard. However, the instruction seems to go beyond the stoic, stodgy feel of personal piano lessons and slow-paced tutorial softwares into the realm of developing the keyboard player as a MUSICIAN and gaining the "feel" of what it is like to control the instrument instead of letting it dictate your actions and feelings.
If you are serious about learning piano and music, I believe this is the most thorough approach on the market.
Mike G.

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Comprehensivew tutorial uses MIDI connection and your PC to get you playing your music keyboard like a pro

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4/24/2012

Casio WK-1630 76-Note Touch-Sensitive Portable Electronic Keyboard Review

Casio WK-1630 76-Note Touch-Sensitive Portable Electronic Keyboard
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My wife and I debated on which 76-Note keyboard to buy: Casio WK-1630 or Yamaha PSR-GX76AD. The price range for both products is very close.
At the beginning, we kind of lean on the Yamaha for the following reasons:
-Yamaha GX76 has 5 songs, 6 tracks memory while Casio WK1630 only has 2 songs, 6 tracks memory.
-Yamaha has one hundred built-in songs while Casio has twenty something songs.
-Yamaha has education book come with it while Casio has none.
-Yamaha has four local stores in town for services while Casio has none.
After testing both products in several stores, we finally settled for the Casio WK1630 for the following reasons: Casio WK1630 has a better volume control and the sound quality seems to be a little better than the Yamaha GX76. Since my wife is not a beginner, she doesn't care about the education book. She only cares the quality of the music and the audible level of the music. She wants loud PoP music. Yamaha can't produce loud enough music even we turned the volume to the max. We tried the volume features on several stores to make the comparison. The conclusion is Casio produces music louder at the max volume with acceptable sound quality while Yahama couldn't produce loud music at the max volume. That help us made up our mind.
So if you are a beginner and don't care about the loudness of the music, Yamaha seems to be better.
If you are not a beginner and want a loud PoP music, you may consider the Casio WK1630.

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The Casio WK-1630 has 76 touch-sensitive keys, 32-note polyphony, programmable rhythm patterns, expanded digital effects, a modulation wheel, and separate line-out and headphone jacks. With 232 tones, a split and layer function, 132 rhythm patterns, and a two-song, six-track memory, this keyboard provides a full set of features for the beginner and intermediate keyboard player.
A backlit LCD window displays selections and status of tone, rhythm, mixer, and keyboard functions. The mixer allows control over each MIDI channel and accompaniment part you choose. Other controls include pitch bend and modulation wheels, along with transpose and tuning.
This keyboard operates on D batteries or an included AC adapter.

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YAMAHA 61 KEY PORTABLE KEYBOARD W/AC ADAP *NIC* Review

YAMAHA 61 KEY PORTABLE KEYBOARD W/AC ADAP *NIC*
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I bought this keyboard to replace an older one, with 3/4 size keys. My main reason was simply that I wanted one with full-sized keys, but I got far more than just that. Its Grand Piano voice is full, rich and authentic in its sound. Most of the other voices are also remarkably realistic-sounding. It's fun to have a variety of voices, to reduce the monotony that can result from the repetition that practice requires. It came with an instructional DVD that was very helpful- take the time to watch it.
The speakers give ample sound even at lower volumes. The keyboard never sounds tinny. You can buy a more expensive keyboard and get more features (though this one has more than I need), but unless you are spending 4 times as much, it won't sound superior. You can also add headphones or a sustain pedal, if you want.
There are only 2 drawbacks for me. Firstly, the LCD screen would be easier to use if it were backlit. Secondly, on a 61-key board, the middle-C is off center. (This is true with any 61-key board. The simple solution is just to move your chair over a bit.)
Despite these minor complaints, I love it. It's great to have music in my home again.

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YAMAHA YPT200AD 61-KEY PORTABLE KEYBOARD WITH PORTABLE GRAND FUNCTION

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4/23/2012

On Stage KS7150 Platform Style Keyboard Stand Black Bundle With On Stage KT7800 Three-Position X-Style Bench & On Stage KSP20 Keyboard Sustain Pedal Review

On Stage KS7150 Platform Style Keyboard Stand Black Bundle With On Stage KT7800 Three-Position X-Style Bench and On Stage KSP20 Keyboard Sustain Pedal
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My son who turned 2 the first of January has been attending a day care center where there is a Casio electric keyboard there. The provider has allowed him to play with the keyboard. Sometimes he plays on the keyboard for 45 minutes to an hour trying to sing, so when I saw that my first thouught was maybe he likes music so why not cultivate it. I purchased a Yamaha 235 for him for Christmasd and this stand with foot pedel. I was surprised of how sturdy it is and the fact that that he can climb up on the stool and play, he pushes all the buttons to change the music and trys to sing. Now everyday when I get home I encourage him to play and we have singalongs, we dont even turn on that stupid TV. I'm LOVING IT. Buy the way no one in the house knows how to play let long sing but we're learning with Gods help.

Click Here to see more reviews about: On Stage KS7150 Platform Style Keyboard Stand Black Bundle With On Stage KT7800 Three-Position X-Style Bench & On Stage KSP20 Keyboard Sustain Pedal

On Stage KS7150 Platform Style Keyboard Stand Black.- An extremely strong stand.- Fully adjustable, perfect for large format keyboard, mixer, DJ use.- Universal 2nd Tier unit can be attached.- Folds flat.- Telescoping platform adds versatility and adjusts from 29"-43.5".- Applications: DJ, Mixer and Keyboards.- Weight Capacity: 230 lbs.- Height Adj.: 26-43".- Base Spread: 29-43.5".- Construction: Welded and bolted.- Gross Weight: 11.03 lbs.
This Bundle Also Includes: - On Stage KT7800 Three-Position X-Style Bench.- On Stage KSP20 Keyboard Sustain Pedal.

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Elegance 61-Key Full Size Electronic Keyboard Review

Elegance 61-Key Full Size Electronic Keyboard
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If you're looking for a deal, look elsewhere. I just began taking a piano class about a month ago, and I was looking for a keyboard to practice with. I ordered this expecting decent quality, but this keyboard couldn't sound any worse. It's not worth the price at all. My roommate bought a Yamaha that's easily worth the $110. I don't know if other reviewers got a better quality product, but this is definitely NOT in the same league as a Yamaha (as another reviewer says). If you're considering buying a keyboard that you're going to use for more than a week or a month, buy something else. I wouldn't buy this for my little brother. I've never taken a music class in my life and even I could tell the sound was off. If you do decide to buy this, you're taking a pretty big risk of being disappointed.

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4/22/2012

Yamaha DGX300 Electronic Keyboard Review

Yamaha DGX300 Electronic Keyboard
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Considering the price of this keyboard, it is of very good quality. It sounds 80% like a real piano and feels 70% like the real one (the keys are still a little too light). And like many have reviewed this keyboard, I also feel the sound is not "loud" enough. I have to turn the volumn close to max in order to have a decent volumn with or without headphone (btw, if you turn off the touch function then the keyboard will be louder but it will be mono-tone). However, it is still a wonderful keyboard in this price range. I am glad that I got it. If you don't mind spending a bit more money (~$500), the Casio 88-key ones sounds and feels better than the Yamaha ones.

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YAMAHA DGX-300, 76 key educational keyboard with 3.5 floppy disk

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