Showing posts with label amplifier. Show all posts
Showing posts with label amplifier. Show all posts

1/24/2012

Roland Cube Monitor / PA Review

Roland Cube Monitor / PA
Average Reviews:

(More customer reviews)
I'm frankly sick and tired of showing up for a gig and having my keyboard run through the P.A., thereby in essence causing me to forfeit all control of the instrument to the bandleader (or board op). Still, I've had to concede that the amps I've been using--a Roland KC150, then a KC350--had plenty of power and pop but no sonic attributes that would recommend them above the Bose P.A. set-up the band uses. Then, because I needed a small amp with an XLR connection for use as an emergency P.A., I picked up this relatively new item from Roland, which prominently describes itself as a "monitor" amp (i.e. meant only for the performer's ears).
Was I surprised when I got this thing home and put it through some rounds with a Kurzweil PC2 and SP2. It's little more than a compact brick, but it appears to have the power of my KC150 and, more importantly, in terms of "listenability" it sounds like its several heavens apart from the KC 150 or 350 (those ever-present Roland KC amps will make any piano, including Rolands, sound uninspiring if not boring during the course of a four-hour gig). This latest contender covers the entire piano range, effortlessly, smoothly, providing rich yet responsive bass where its needed and brilliant but not strident highs. Perhaps some would judge the sound a trifle "colored." If so, I'll take the coloration any day to the untempered sounds I've been getting from electric keyboards. The mid-range is tight and controlled, with the upper register "growing out" of it gradually but unmistakably. By contrast, the upper register on the heavy-duty KC amps strikes like a serpent, leaping out of the mix like home-brewed white lightning hitting the palate after it's just gotten accustomed to a vintage Bordeaux.
I even compared this little thing to my previous standard--the Roland Cube 60 that had preceded the KC150 (which has been around too long). This new one was smoother, bending to the bass notes like a gracious willow and springing to the top ones like fresh spring birch. In other words, even the Roland Cube sounded uneven and rough compared to this latest overachiever, which handled the tones of the scale like a single portamento, revealing no holes in any of the registers.
Playing any instrument or amplifier on the job can lead to a judgment radically different from the one made at home. If my instruments (I'm usually playing 2-3) have to be mixed through the P.A., fine. I won't have to listen to them. They'll be processed by this monitor, which will be facing and playing for me before it kicks out the stuff that the bandleader deems worthy of the public's ears.

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Built to handle a wide range of recording and mixing applications, the Roland Cube CM-30 monitor/PA can be used for live monitoring onstage as well. Delivering 30 watts of punch through a rugged, high-quality 6.5-inch coaxial two-way speaker, the Cube CM-30 can be easily and safely toted from location to location thanks to its built-in handle grip, protective metal grill cover, and cabinet corner protectors.

Key Features
Ultra-versatile monitor for studio, stage, and more
30-watt 6.5-inch coaxial 2-way speaker with stereo preamp
Three input channels, with one XLR input for mic/line and two additional Aux inputs
Stereo Link function for stereo connection between two units, which allows a total of eight stereo inputs and two mono mic/line inputs
Metal grill cover, corner protectors, and handle grip for carrying the unit safely

Specifications
Rated Power Output: 30 W
Speaker: 16 cm (6.5 inches) + Tweeter (Coaxial 2-Way)
Nominal Input Level (1kHz)
Channel 1(Mic/Line): -50 to -20 dub
Channel 2, 3 (Line): -20 dBu
AUX IN 1, 2: -10 dBu
Stereo Link Input: -10dBu

Nominal Output Level
Stereo Link Out L, R: -10 dBu

Controls
Channel 1 (Mic/Line) Volume Knob
Channel 2, 3 Volume Knobs
Stereo Phones Level Knob
Equalizer: Low Knob, High Knob
Volume Knob
Power Switch
Connectors
Channel 1 Input Jack (XLR type, 1/4" phone type)
Channel 2, 3 Input Jack L (mono)(1/4" phone type)
Channel 2, 3 Input Jack R (1/4" phone type)
Aux In 1 Jack (RCA phono type)
Aux In 2 Jack (Stereo miniature phone type)
Stereo Link Out Jacks L, R (1/4" phone type)
Stereo Link In Jack (1/4" phone type)
Stereo Phones Jack (Stereo 1/4" phone type)

Power Consumption: 32 W
Dimensions: 8-7/16 x 9-3/8 x 10-7/8 inches
Weight: 12 pounds, 6 ounces


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10/02/2011

Behringer KT108 15-Watt Keyboard Amplifier Review

Behringer  KT108 15-Watt Keyboard Amplifier
Average Reviews:

(More customer reviews)
The KT108 serves well as a general purpose amplifier for limited volume situations. I actually bought a second one and I essentially use them as powered speakers for a small Behringer stereo mixer, through which I run a couple mics, electric drums, keyboard, and on occassion acoustic guitar.
For limited volume situations, the KT108s perform pretty well, and seem to produce the sonic range reasonably well. They are not very loud; by way of comparison a 6 watt Line 6 Micro Spider amp produces (a little) more volume than the KT108 running a guitar into it. As you'd expect from a small amp, they are limited in how much air they can move and can only produce so much volume of the deep bass sounds a 76 keyboard can produce without rumbling. However, for my limited volume needs (ie practicing in a townhouse where I don't want to bother the neighbors too much) they are more than up to the job, and do a good job with the drums, organ, vocals and acoustic guitar.


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The ULTRATONE KT108 specializes in clean, powerful sound. With this 15-Watt workhorse in your rig, your keyboards will sound their best gig after gig.

Channel Your Sound The KT108 gives you two channels, each with independent inputs and volume dials. A three-band EQ allows you to shape the overall tone.
Speaker Talk A 20-watt, 8-inch, dual-cone speaker delivers a wide frequency response, meaning your sound will come though nice and clear. The KT108 is excellent for rehearsals or intimate performances.
Where are the Tubes? The TK108 features VTC Virtual Tube Circuitry, delivering the warm, harmonic tone of vacuum tubes from transistors. The simulation of this time-honored vintage technology will add a new dimension of musicality to your sound.
Play Along With its CD player input, your KT108 is the ultimate practice amp, because it couldn't be easier to play along to your favorite music. If you want a little privacy, or don't want to wake the neighbors, just use your headphones.
Rugged Components The electronic components in your ULTRATONE KT108 have been built into a robust metal enclosure for maximum protection. The cabinet is made of high-grade wood covered with durable vinyl. The KT108 will never let you down, even when the going gets tough.
What's in the Box Behringer KT108 15-Watt Keyboard Amplifier, Power Cable, User's Manual

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